The voice component, which is a simple function of spectral magnitude, m, and phase ø at each time-frequency sample, is given by:
v (t, f ) = m(t, f )exp[-j ø (t, f )].
The real part of the sum over all frequencies, f, of all these voice components reconstructs the original trace.
Because the voice components are band-pass-filtered versions of the original seismic data, the application to map subtle hydrocarbon features can be viewed as
A vertical slice through the 30 Hz voice component after spectral decomposition with spectral balancing and its amplitude spectrum. Notice the frequency width on both sides of the amplitude maxima seen at 30 Hz. (Data courtesy: TGS, Calgary)
Such voice components offer more information that subsequently can be processed and interpreted. In the figure below, we show a vertical slice through a 3D seismic volume from north-central Alberta, Canada, as well as the equivalent slices through the spectral magnitude, phase, and voice components at 65 Hz, which highlight fault discontinuities not seen in the original broadband data (or in most of the lower spectral components).
Notice that the vertical-discontinuity information is not seen clearly on the spectral magnitude but is clear on the phase component.
Vertical slices through (a) original 3D seismic amplitude and corresponding 65 Hz (b) spectral magnitude, (c) spectral phase, and (d) spectral voice component volumes. Notice the vertical discontinuities in the highlighted portion are poorly seen in the original broadband data, are not seen in the spectral magnitude component, but are clearly seen in the spectral phase and voice components. The voice component has the advantage that it can be easily interpreted and processed (e.g. using coherence) as one would the original seismic amplitude data. (Data courtesy: TGS, Calgary)
The voice component combines both attributes and nicely delineates the discontinuities. This observation could be exploited to our advantage by interpreting the discontinuity information as such or by running discontinuity attributes such as coherence on the voice-component volume. Since their introduction to the 3D interpretation community by Partyka et al. (1999), spectral-magnitude components have been used routinely to delineate stratigraphic features at or below the limits of seismic resolution. If a stratigraphic feature exhibits an approximately constant interval velocity, the tuning thickness is inversely proportional to the spectrally balanced peak frequency. More detailed information on seismic geomorphology can be gained by visualizing data at multiple frequencies, either through animation or by combining different spectral components using red-green-blue (RGB) color schemes.